This page is a list of old messages from the above month of previous IFC websites.
Many links will no longer work, but are usually still to recover!
Please contact us for your specific questions.
We apologize for any inconvenience.
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IFC / FEATURES / podcast
Features In Sound
How do I submit my feature?
The best way is to create a (high quality) audio file,
post it on the Internet,
eq. here…
then send me the link via e-mail
and -if available- a script in English!
newest features! (by organisation) click here offered as
— old stuff …
«.mp3 -> ‘Can one take Verdi seriously?’
:: 1976, SFB, Germany :: by Klaus Lindemann :: IFC Berlin :: 17’02
:: Script (E) :: Website
«.mp3 -> ‘Inburgerking’
4th Prix Europa 2004
:: 2004, The Netherlands :: by Rob Muntz, Arthur van Amerongen, Willem Davids
:: Script (E) :: Website
«.mp3 -> ‘Work of the devil’
Winner Prix Europa 2004
:: 2004, Norway :: by Birger Amundsen
:: Script (E) :: Website
«.mp3 -> ‘RVU NL’
Archive
:: Script (E) :: Website
«.mp3 -> ‘Bilals (final) Battle’…
…
:: 2006, The Netherlands :: by Rob Muntz, Arthur van Amerongen, Willem Davids
:: Script (E) :: Website
DR by satellite | Copenhagen
New Adventures in Sound Art… | Toronto
New Adventures in Sound Art (NAISA) is a non-profit organization that produces performances and installations spanning the entire spectrum of electroacoustic and experimental sound art.Included in its Toronto productions are: Deep Wireless, Sound Travels, Sign Waves and SOUNDplay.
The objectives of NAISA are to foster awareness and understanding locally, as well as nationally and internationally, in the cultural vitality of experimental sound art in its myriad forms of expression.
This objective will be achieved through the exploration of new sound technologies in conjunction with the creation of cultural events and artifacts
website
http://www.naisa.ca
—
just below this …
Results PRIX EX AEQUO
INTERNATIONAL CHILDREN’S AND YOUTH RADIO DRAMA FESTIVALBratislava, 29 January – 2 February 2007Category Radio Plays for Children
Prix Ex Aequo
for the best radio play aimed at children is awarded to the play
Father Christmas: Wanted for Questioning
Weihnachtsmann polizeilich gesucht
Author: Heidi Knetsch / Stefan Richwien, director: Hartmut Kirste
Produced by Mitteldeutscher Rundfunk Halle
—
Prix Ex Aequo
for the exceptional artistic execution of a radio play aimed at children is awarded to
Eva Stenman Rotstein
director of Burkpojken – Conrad – the Factory-Made Boy
Author: Christine Nöstlinger adapted by Anders Nyman
—
The Category Radio Plays for Adolescents
Prix Ex Aequo
for the best radio play aimed at adolescents is awarded to the production
Adventure Week
Äventyrsveckan
by the author Sofia Nordin and director Peter Schildt
produced by Swedish Radio Lt
—
Prix Ex Aequo
for the exceptional artistic execution of a radio play aimed at adolescents is awarded to
Irena Glonar
the author of the radio script and director of Three Hundred Million Metres per Second (Slovenia), produced by Radiotelevizija Slovenija
website
http://www.slovakradio.sk/radioinet/depozit/pea2007/index.php?page=resultsEn&menu=menuEn
—
Click … just below this …
[UPD] IFC in Copenhagen
Dear friends, you have now passed the deadline for sending entries to the IFC in Copenhagen.As you probably know there will be a pre selection among the entries in the beginning of March.
If you have any questions about the IFC do not hesitate to contact Erling Kristensen erk@dr.dk.
For instance if you did not get a mail back from Erling – that your entry has arrived to Copenhagen – then mail Erling.
We are looking forward to see you all in April.
Today the snow has come again to Denmark – but we are sure that you will meet us in springtime!!!
All the best,
Lisbeth and Erling (erk@dr.dk)
website
2007, 33rd IFC, Copenhagen, (HOME
email
erk@dr.dk
—
Click … just below this …
Call For Proposals – Sound Symposium XIV, July 3-13, 2008 | St. John’s NL Canada
With the theme “Inner Space, Outer Space”, we invite artists from all sound arts fields to propose projects, installations and performances for Sound Symposium 2008.
Help us celebrate the first 25 years of the Sound Symposium!
We will be looking at proposals as we receive them and will continue to accept applications until we have filled our program, so we suggest that you submit your ideas before our deadline of July 15, 2007.
website
http://www.soundsymposium.com
[UPD] next deadline: 16 March | Copenhagen
(please note the ftp server will open on 12 February, scroll down) 
1 February: Deadline for submitting entries to the Åke Blomstrøm Grant (contact is Berit Hedemann, berit.hedemann@nrk.no
19 February: Deadline for submitting radio feature productions for potential inclusion in the listening sessions. You are invited to provide one 10-minute audio excerpt together with the corresponding English translation, as well as a synopsis about the production. You can send this excerpt either by uploading an audio file to the following ftp server:
or by sending a CD (no DAT please) by post to:
Erling Kristensen DR-doc.,
4. sal Emil Holms Kanal 20 0999 Cph. C Denmark
Please send an e-mail to erk@dr.dk with the relevant English script attached. The EBU Features Group will meet in Copenhagen on 3 March to select the productions that will feature in the conference listening sessions. Confirmation of the selection will be mailed after this meeting.
16 March: Deadline for BOTH conference AND hotel reservation. A conference registration form is appended. You can register for the conference and make the hotel reservation by sending the registration form to: Erling Kristensen erk@dr.dk
2 April: Deadline for sending the selected listening session programmes to DR. The programmes must be sent on CD to the address below. DR will duplicate the CD for the conference participants.
Erling Kristensen DR-doc, DR, Emil Holms Kanal 20, 0999 Cph. C Denmark
Programmes selected for listening sessions: A maximum of one hour will be available to each participating organization or independent producer to present a programme.This means five minutes of introduction by the programme maker or their representative about the broadcast surrounding/conditions, 25 minutes of listening and 30 minutes for discussion. Scripts: Each programme presented must have a full transcript in English. Ideally the transcript should show the original language on the left page, the English on the right.
Delegates must bring 100 copies of their script to Copenhagen.
Laurent Marceau European Broadcasting Union Head of Eurosonic/Radio Plus
